Sunday, June 28, 2009

The Movie 17 Again Online Free

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17 Again Movie is a comedy teen movie about a guy, Michael O’Donnell who gives up everything in life including his basketball career and a scholarship chance for the sake of a girl who he managed to get pregnant. Twenty years down the line, Michaels life is going nowhere with his wife separating from him and forcing him to move in with his nerdy best friend, Ned Gold. To top things off, Michaels children, Maggie and Alex, abstain from their dad.

All Michael wishes for is a chance to change that decision he made to give up everything in life to marry Scarlet. God isnt all that mean to him. Michaels wish is soon answered on a visit to his high school. The morning after the visit, Michael learns that he has magically transformed to himself, except that he is 17 again. Michael grabs this opportunity to be younger again and doesnt hesitate to get himself enrolled at the same high school he studied in when he was young. He doesnt take long to find out the guy that his daughter has been dating. The guy happens to be the captain of the basketball team, Stan. He obviously does not approve of Stan when he sees Stan bullying Mikes son, Alex. He makes up his mind to teach Stan a lesson.

Michael tries to correct all the stuff that he did wrong during his first attempt at life. He and Maggie become good friends. He also comforted Maggie when Stan breaks up with her. He helps Alex in making it to the basketball team and also helps him go out with a girl Alex likes. All feelings for his wife, Scarlet come back when he sees her looking for their son at one of the high school parties. Without much thought, he goes up to her and kisser her in public. This turns off Maggie completely. Issues between the couple are then sorted out later with the help of Ned as their marriage is finally reconciled. Mathew Perry plays the role of the adult Michael ODonnell while the star of the show is Zac Efron, who plays the younger one.

Apart from its popular cast, 17 again movie hasnt got anything much to offer. It comes off as just another teen flick with the all too common scrip. It hasnt been received very well by teens or critics worldwide. However the jokes in the movie are fairly good and commendable and are worth watching the movie for.

Thanks to the over exploding collection of movies at our movie library, you would never have to think twice to watch any movie that you wish to without worrying about the fact that it might end up in a wastage of money. To watch 17 Again movie online free, you will be required to subscribe to a life long membership at the movie library which will give you unlimited access to an unlimited database of movies which you can watch at your convenience. The excellent quality of the movies and lightning download speeds are two more advantages that should convince you to get that lifetime membership.

Wednesday, June 24, 2009

"Transformers: Revenge of the Fallen": Pretty Much What Meets The Eye


After the success of Michael Bay's 2007 Transformers film, it was obvious that we'd get a sequel. But though the first film pulled in mega bucks in both ticket sales and merchandising, its actual craft was called into question. Does the sequel stand any better?
In a common trend for big summer blockbusters, the new movie tracks real time and begins two years after the conclusion of the previous film. The Autobots and the human military have formed a special strike force dedicated to covertly destroying any Decepticons hiding on the planet. Of course the terms 'covert' and 'giant robot' don't go hand in hand, and so after a destructive opening mission the team comes under threat from pencil pushers. The actual opening battle is a lot of fun, reminiscent of the cold openings of the James Bond series. It's especially enjoyable to see Optimus Prime take centre stage in the fight and give a taste of how mighty he is.
Away from this, Sam Witwicky is starting college life. The movie switches gears in this respect: the scenes focused around Sam are very much about teenage hormones and social issues in a way that' feels a lot like demographic box-ticking. LaBeouf does a great job and gets a range of good scenes, but it also feels like his stuff is taking time away from the title characters. In the first movie there was at least the excuse that things had to be established, and the Autobots even had to find him first. Here, though, it just feels as if someone ultimately couldn't accept that the lifeblood of the franchise were worth focusing on, and that the audiences were paying to see a mix of Shia's previous Mutt Williams character and Tobey Maguire's Peter Parker.
The two storylines finally merge when remaining Decepticon forces discover Megatron's remains and revive him. In the first film, Megatron was made out to be an unstoppable colossus. But he loses a lot of this menace when it is quickly established that he's been working for another villain all along: the Fallen, one of the first Cybertronians. The Fallen is in fact a pre-existing character, though one only found in the franchise's comic books. For what should be the starring villain he's actually pretty weak. It isn't helped that he and Megatron are played as second=rate versions of Darth Vader and Emperor Palpatine, with plenty of "I have failed you, my master" "You have much to learn, my apprentice" type lines. The character's dramatic impact is further weakened by a very poorly paced finale, with one of the shortest final fights I've ever seen.
Pacing is an overall problem with the film. It comes in two halves. The first is generally exciting and funny, with flashes of character. However, after successfully building up tension and setting up various cliffhangers, the movie then drags them out for over another hour in a very human-centric second half which puts Sam and friends on a quest in Egypt. This second half drags on so long that I'd honestly forgotten about the established cliffhangers until they suddenly appeared again.
Many will probably be wondering how the 'bot characters fare this time round. It's a mixed bag, with Optimus, Megatron and Starscream getting the best attention. Optimus gets a fair share of scenes to highlight the living legend he is, including some great fight scenes. Megatron and Starscream are portrayed as having a relationship closer to the original cartoon, with Starscream as the two-faced suck up who is constantly receiving violent discipline from Megatron. The other 'bots don't do so well, with most being around just long enough to drop their name, do something cool, and sell their toy. Even the much-hyped appearances of Soundwave (voiced by Frank Welker doing his unmodified Dr. Claw voice) and previous star Bumblebee are disappointingly minor. The exceptions are the trio of kid-appeal characters (Skids, Mudflap and Wheelie), though "kid-appeal" sounds like the wrong term, given how far these characters go with swearing and other acts, to the point I'm amazed that Hasbro okayed most of their antics. These are the tip of the iceberg sadly, in a movie that includes dry humping, drug use, panty shots and even implied robo testicles. Parents really should do their research before deciding if they want younger kids to see this. One of the few charms of this trio is that two of them are voiced by famous voice actor Tom Kenny. Kenny was a regular on Transformers: Animated (which was sadly cancelled to make way for this movie), and it's great to hear him voice some 'bots that will reach a wider audience.
The special effects work well, with most of the characters having a generally realistic appearance with small elements of a more cartoony nature. However, the visual spectacle can only go so far; I know ILM put a lot of work into this film, but the dramatic 'camera spins around a transformation' shots soon lose their appeal and flashy visuals are no match for genuine characterisation. At least it can be fairly said that the animators have done their best to imbue soul into the characters they're handling: when you look at Optimus face in close ups, you can see there's deep thoughts going on behind it. Combined with Cullen's great voice work, this helps to pick up some of the slack from the script and directing, though it shouldn't have to.
Overall, I think Revenge of the Fallen is disappointing. Whilst there are some good parts (especially of the 'switch your brain off' variety) the movie comes off as senseless and immature, as though Hasbro were drunk on the success of the first film and Bay didn't care enough about the established mythos to give it time in its own movie. I'd actually say the first movie was better, as at least it had a firm identity. Revenge of the Fallen seems uncertain what it wants to be. A military movie? A superhero movie? A teen comedy movie? I think a better creative team could have strung all three together well, but Bay doesn't achieve it, and gives us a mish-mash that makes the Transformers feel like outcasts in their own film. I'm sure it'll make a ton of money at the box office, but I think ultimately it won't endure as well as the previous film, and hopefully this will give Hasbro and Paramount good reason to sit down and put out a film of higher quality, as the franchises' history shows it's capable of.

Monday, June 22, 2009

First Look at the Characters and Concept Art of Tim Burton’s ‘Alice in Wonderland’

 

(from left to right) Johnny Depp as the Mad Hatter; Helena Bonham Carter as the Red Queen; Anne Hathaway as the White Queen
Photo: Disney Enterprises Inc. courtesy USA Today

USA Today has gotten their hands on an impressive array of concept art and character images from Tim Burton’s upcoming Disney feature Alice in Wonderland, which is due in theaters on March 5, 2010.

As you can see from above the early photo of Johnny Depp as the Mad Hatter that leaked online was dead on accurate, but the coloring is much, much different in this official image, although I am not sure if the effect of the photo has really changed that much. We also get a peek at Helena Bonham Carter as the Red Queen and Anne Hathaway as the White Queen, all three photos can be seen in much larger versions over at USA Today.

Moving on we come to three separate pieces of concept art. The screen captures I have taken and added below are smaller versions than what is available at USA Today, although you can click on each image for the largest clean copy I could manage. The USA Today feature is a Flash based feature allowing you to zoom in and out all while scrolling around the image for a better look. Considering the size of the images and the detail this is a pretty cool feature I recommend you check out right here.

The critter (voiced by Michael Sheen) checks his timepiece while Alice (Mia Wasikowska) takes in the view, one that she has seen before.
Photo: Disney Enterprises Inc. courtesy USA Today

Just as the trees talked in Oz, the roses that blossom in Wonderland can hold a conversation. Alice greets them along the entrance to what appears to be a forest of giant mushrooms. But as in the book, her size shrinks and grows throughout her journey.
Photo: Disney Enterprises Inc. courtesy USA Today

Egg-shaped Tweedledee and Tweedledum, who are created through motion-capture technology, are among the first characters to greet Alice. They take her to meet the Mad Hatter (Johnny Depp). The twins are played by popular British comic Matt Lucas, best known for the TV series Little Britain.
Photo: Disney Enterprises Inc. courtesy USA Today

Alice in Wonderland is based on the Lewis Carroll classic and will combine performance-capture with live-action and while be shown in theaters in 3-D. Starring as Alice is Mia Wasikowska whom producer Richard Zanuck describes at USA Today saying, “There is something real, honest and sincere about her. She’s not a typical Hollywood starlet.” As for Johnny Depp as the Mad Hatter in his seventh role for Tim Burton Zanuck simply says, “This character is off his rocker. He is so much fun and so nutty, I can’t imagine anyone else doing it.”

 

Sunday, June 21, 2009

Are you ready for a quirky holocaust movie?

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Legendary French New Wave director Jean-Luc Godard may be gearing up for a drama about the Holocaust.
The groundbreaking filmmaker behind “Breathless” and “A Woman Is a Woman” is considering an adaptation of the 2006 memoir “The Lost: A Search for Six of Six Million,” Daniel Mendelsohn’s account of his research into the wartime fate of relatives from Bolechow, Poland.

A winner of the National Book Critics Circle Award and the National Jewish Book Award, “The Lost” would be Mendelsohn’s first work adapted for the screen.
In an e-mail sent from a literary festival in France, the author told The Shmooze that he had “no comment at present” about the Godard story, first published by The Hollywood Reporter on June 3. “[I]f and when there is a film,” he added, it will be publicized in an “appropriate fashion.”
For Godard, a movie version of “The Lost” would mark his first cinematic foray into the Holocaust. The filmmaker, born in Paris in 1930, is currently at work on “Socialisme,” his first feature-length drama since 2004’s “Our Music.”
Known for incorporating Marxist and other political messages into his films, Godard was scheduled to attend a student film festival in Tel Aviv last year, but pulled out after becoming the target of an open letter by activists advocating a boycott of Israel. The filmmaker declined public comment at the time, but an unnamed source speaking with Reuters attributed the decision to political pressure.

Movie review: 'Pelham' remake is entertaining

 

By Brad Memberto/Staff Writer/bmemberto@santamariatimes.com

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John Travolta stars in the action thriller "The Taking of Pelham 123." / Columbia Pictures

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The 1973 novel “The Taking of Pelham One Two Three” by Morton Freedgood, under the pseudonym John Godey, has been made into two movies in the past.
Walter Matthau and Robert Shaw led the cast in the 1974 film, while Edward James Olmos and Vincent D’Onofrio co-starred in a TV movie in 1998.
So was it necessary for action director Tony Scott to make it again in 2009?
Well, if you can get Denzel Washington and John Travolta to agree to star in it, I would say yes.
Slightly renamed for 2009, “The Taking of Pelham 1 2 3” is a fun ride in which a director with experience in the genre does a nice job with the action.
It is a good mix of intense action, high drama and good tension.
Scott has worked with Washington three times before — in “Crimson Tide” (1995), “Man On Fire” (2004) and “Deja Vu” (2006). And in this latest effort, he is able to get the maximum out of a less-showy role for the Oscar winner.
Washington plays Walter Garber, a transit supervisor who is under investigation for corruption. While the probe is being conducted, he is assigned to working at the dispatcher desk.
It is there he comes into contact with Ryder, played by John Travolta.
Ryder and his gang have taken over the front car of a subway line, and are holding several passengers hostage. The gang will release the hostages if they get their ransom in one hour, but will kill them one by one for every minute the ransom is late.
Travolta is very good as the unhinged leader of the gang. He is much smarter than he is initially thought to be, and turns out to be in complete control of the situation.
There is one school of thought that Travolta is more of a personality than an actor. I am not of that school. I think he is a good actor who has done some great work over the years. And in “The Taking of Pelham 1 2 3,” Travolta is excellent.
He is given some great dialogue in the screenplay by Brian Helgeland, an Oscar winner for adapted screenplay (“L.A. Confidential” in 1997) who had worked with Scott before with “Man On Fire” and also wrote “Mystic River” in 2003.
There are several humorous lines that help break the tension just at the right times.
Garber is a man with many flaws, but in the hands of a great actor like Washington, you come to understand and relate to his actions and reactions.
John Turturro plays Camonetti, a hostage negotiator who is turned into a helpless bystander by Ryder, and James Gandolfini is the mayor who is caught up in the ordeal. Both actors are very good in small but pivotal roles. A fine character actor, Luis Guzman is not given much to do as Mr. Green, one of the hijackers.
The pacing is good and never seems forced. The finale is somewhat predictable but is not a major disappointment. The New York City exteriors are gritty and well used.
“The Taking of Pelham 1 2 3” is not a great movie. But it is entertaining, and it features two Hollywood heavyweights at the top of their games.
THE TAKING OF PELHAM 123
RATED: R (for violence and pervasive language
RUNNING TIME: 1 hour, 35 minutes

Saturday, June 20, 2009

Movie Gadget Friday: Runaway

Previously on Movie Gadget Friday, we tapped into the near dystopian future of fear in Brazil. Keeping on that 1980's near-future vibe (but with a slightly more sentient twist), this week we check out Michael Crichton's Runaway, starring Tom Selleck, Gene Simmons, Cynthia Rhodes and Kirstie Alley. Filled with circuitry and hardwired chips, the movie reinforces wholesome family values by featuring warranty voids as the gateway hack to murder.

Leaping Insect Robot
Measuring in around the size of a human head, these six-legged, spider-like, autonomous robots are mechanical in movement but shockingly precise in killing prey. The autonomous insects have the ability to propel themselves up to seven feet in the air, allowing for attacks on unsuspecting victims. Dual-functioning, the legs are able to crawl and grasp a multitude of surfaces, albeit awkwardly and rather slowly. After programming targets into a mainframe, the robots are able to identify and kill victims by injecting them with acid via a probe before short circuiting and eventually exploding into a ball of flames. Sadly, the robots lack any sort of remote control, making human errors in target-programming unable to be edited.


Smart Bullet and Lock-On
Essentially deadly tracking devices, the smart bullet and lock-on follow unique signatures at high speeds with an amazing amount of accuracy. Lacking sentient nature, the Lock-On seeks out planted "bugs". Used in high traffic situations, Lock-Ons can easily glide on smooth surfaces and navigate through obstacles at high speeds (60 MPH+) before exploding at the site of the target bug. The smart bullet acts as a mini-missile, requiring use of a custom-made gun. The bullets seek out the unique heat patterns of individuals in order to identify the recipient of their smoldering and massively fatal bullet wound. The bullets consist of a solid propellant and different valves for direction control (including dodging objects/corners and turning around). We're uncertain if the user interface for programming targets lies within the gun or if the bullets are acutely sentient in their ability to analyze the gunman's desired victims, as we were unable to observe any need for punching buttons or flipping switches in between rapid fire.


Domestic Robots

Ranging from Type 9-12 basic house cleaners to Series 12 full-on nannies, domestic multi-purpose robots appear to dominate households in the world of Runaway. We're guessing the design decision to not make any of the robots taller than four feet was deliberate so as to demand hierarchy in the human-to-robot relationship. The domestic robots can come equipped to cook, take messages, carry on conversation and monitor electronic activity such as remote power surges. Similar models such as the 577 are used in offices, and have the unique capacity to taser misbehaving employees at levels ranging from shock to stun. The dials-and-buttons controls are left exposed for easy day-to-day programming, but most also possess the ability to accept voice codes for operation. Seemingly without an open API, modifications to these domestic robots typically result in fatal situations rather than improved capabilities.

The Night At The Museum II


Director: Shawn Levy
Cast: Ben Stiller, Amy Adams, Hank Azaria, Owen Wilson, Steve Coogan
Genre: Comedy
Run Time: 110mins
Links: http://www.nightatthemuseummovie.com/
Ben Stiller returns to the role of night watchman Larry Daly in this sequel to the 2006 family film NIGHT AT THE MUSEUM. This adventure takes the action to Washington D.C, where things at the Smithsonian aren't quite as quiet as one might think...
U - General Viewing for all ages
PG13

-

Parental guidance is suggested for children below 13 years of age
18SG - For 18+ with non-excessive violent/horrifying scenes
18SX - For 18+ with non-excessive sex scenes
18PA - For 18+ with political/religious/counter-culture elements
18PL - For 18+ with a combination of two or more elements

Transformers Movie

Action/Adventure, Science Fiction, Sequel and War

June 24th, 2009

Rated: PG-13 for intense sequences of sci-fi action violence, language, some crude and sexual material, and brief drug material.

STARRING

Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson, John Turturro, Isabel Lucas and Ramon Rodriguez

DIRECTED BY

Michael Bay
Full Cast & Credits >>

SYNOPSIS

Sam Witwicky again joins with the Autobots against their sworn enemies, the Decepticons.

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